Notas al libreto
SOUNDS OF MAGMA
Dutch Composer and cellist Ernst Reijseger presents his first symphonic poem, The Volcano Symphony, written for the Spanish Baroque orchestra Forma Antiqva conducted by Aarón Zapico.
It is unlike that Antonio Vivaldi only wished to describe the course of the year in his Le Quattro Stagioni, or that Richard Strauss only had the intention of illustration the mountain hike of his youth in Eine Alpensinfonie. Instead, both works focus also on phases and narrations on human life.
Ernst Reijseger is fascinated by the unstoppable power of flowing lava, the inferno, the quiet sea of hell, the explosion of elemental forces, and the creation of new, vigorous life.
On the one hand Reijseger describes magma and its effects, this mass of molten rocks streaming out of the opening in the earth, breaking out, destroying, fertilising, and introducing the birth of new life. On the other hand The Volcano Symphony tells of death, love and life. Soprano Eugenia Boix embodies the voice of Pele, the goddess of the volcanoes according to Hawaiian belief. We experience a completely new sound language from a Baroque orchestra: Reijseger's composition transforms its fascinating powers of narration into an event.
Stefan Winter
Discos
Symphonies. Madrid, 1753
Forma Antiqva plays Spanish Baroque Dance Music
Dúos de Agostino Steffani para soprano y contratenor
Arias de ópera desde Monteverdi hasta Mozart arregladas instrumentalmente por Aarón Zapico, Daniel Zapico y Pablo Zapico
Il Cimento dell’Armonia e dell’Inventione
The Contest between Harmony and Invention
Forma Antiqva plays Baroque Dance Music
Cantatas para Alto y obras instrumentales de Georg Friedrich Händel
Cantate à voce sola di soprano di Domenico Scarlatti
[agotado]
Villancicos, saynetes, cantadas... y una batalla
Música italiana del seicento
Grabación DVD de concierto en directo
